2023
Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams
May 28, 2023 – March 2024
Joseph Grigely, White Noise (polychrome), 2023, Oval-shaped room, conversations on colored papers, pins. Photo: Jon Verney
Joseph Grigely, White Noise (polychrome), 2023, Oval-shaped room, conversations on colored papers, pins. Photo: Jon Verney
Joseph Grigely, White Noise (polychrome) (detail), 2023, Oval-shaped room, conversations on colored papers, pins. Photo: Jon Verney
Joseph Grigely, White Noise (polychrome) (detail), 2023, Oval-shaped room, conversations on colored papers, pins. Photo: Jon Verney
Joseph Grigely, White Noise (polychrome), 2023, Oval-shaped room, conversations on white paper, pins. Photo: Jon Verney
Joseph Grigely, White Noise (polychrome) (detail), 2023, Oval-shaped room, conversations on white paper, pins. Photo: Jon Verney
Installation view, Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams, 2023. Photo: Jon Verney
Joseph Grigely, What the stress amounts to (detail), 2023, Wine bottle capsules
Installation view, Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams, 2023. Photo: Jon Verney
Joseph Grigely, Craptions, 2023, Pigment prints. Photo: Jon Verney
Joseph Grigely, Craptions, 2023, Pigment prints. Photo: Jon Verney
Joseph Grigely, Craptions, 2023, Pigment prints. Photo: Jon Verney
Joseph Grigely, Craptions, 2023, Pigment prints. Photo: Jon Verney
Installation view, Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams, 2023. Photo: Jon Verney
Joseph Grigely, Music from St. Cecilia, 2012, 3 digital pigment prints. Photo: Jon Verney
Joseph Grigely, Music from St. Cecilia (detail), 2012, 3 digital pigment prints. Photo: Jon Verney
Installation view, Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams, 2023. Photo: Jon Verney
Installation view, Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams, 2023. Photo: Jon Verney
Installation view, Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams, 2023. Photo: Jon Verney
Installation view, Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams, 2023. Photo: Jon Verney
Joseph Grigely, Songs Without Words series, 2012–2023; Dog from 'Riva Degli Schiavoni,' 2003. Photo: Jon Verney
Installation view, Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams, 2023. Photo: Jon Verney
Joseph Grigely, Bulletin Board, 2010, Pigment print. Photo: Jon Verney
Joseph Grigely, Bulletin Board II, 2012, Pigment print. Photo: Jon Verney
Joseph Grigely, Between the Walls and Me, 2023, Cast stone and damaged walls. Photo: Jon Verney
Joseph Grigely, Between the Walls and Me, 2023, Cast stone and damaged walls. Photo: Jon Verney
Joseph Grigely, Between the Walls and Me, 2023, Cast stone and damaged walls. Photo: Jon Verney
Installation view, Joseph Grigely, In What Way Wham? White Noise and Other Works, 1996–2023, MASS MoCA, North Adams, 2023. Photo: Jon Verney
Joseph Grigely, Blueberry Surprise, 2003, Pigment Print; Blueberry Surprise, 2003, Vinyl wall frieze. Photo: Jon Verney
Joseph Grigely, Blueberry Surprise (detail), 2003, Vinyl wall frieze
Joseph Grigely, Remembering is a difficult job, but somebody has to do it, 2005, Two-channel video installation with sound, artificial palm trees, c-prints. Photo: Jon Verney
Joseph Grigely, Perforated Tympani (with Juan Antonio Olivares), Aguirre, Mexico City
February 8, 2023 – March 8, 2024
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Joseph Grigely, Support Structure, 2023, Scaffolding, chains, hoists, wood, slings, 228 x 149.8 x 203 cm
Joseph Grigely, Support Structure (detail), 2023, Scaffolding, chains, hoists, wood, slings, 228 x 149.8 x 203 cm
Joseph Grigely, Support Structure (detail), 2023, Scaffolding, chains, hoists, wood, slings, 228 x 149.8 x 203 cm
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Installation view, Perforated Tympani, Aguirre, Mexico City, 2023
Joseph Grigely, Perforated Tympanum #20, 2023, Inkjet on Hahnemühle paper from an original Ektachrome, 1990, 65 x 47 x 3.5 cm
Joseph Grigely, Perforated Tympanum #22, 2023, Inkjet on Hahnemühle paper from an original Ektachrome, 1990, 65 x 47 x 3.5 cm
2016
Joseph Grigely, The Gregory Battcock Archive, Kunstverein Hamburg
March 3 – June 6, 2016
Installation view, Joseph Grigely, The Gregory Battcock Archive, Kunstverein Hamburg, 2016
Installation view, Joseph Grigely, The Gregory Battcock Archive, Kunstverein Hamburg, 2016
Installation view, Joseph Grigely, The Gregory Battcock Archive, Kunstverein Hamburg, 2016
Installation view, Joseph Grigely, The Gregory Battcock Archive, Kunstverein Hamburg, 2016
Installation view, Joseph Grigely, The Gregory Battcock Archive, Kunstverein Hamburg, 2016
Installation view, Joseph Grigely, The Gregory Battcock Archive, Kunstverein Hamburg, 2016
Joseph Grigely, Even If You Can't Hear, Galerie Francesca Pia, Zurich
January 29 – March 17, 2016
Installation view, Joseph Grigely, Even If You Can't Hear, Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter
Installation view, Joseph Grigely, Even If You Can't Hear, Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter
Joseph Grigely, Even If You Can't Hear, 2016, Ink and pencil on paper, pins, 75.5 x 262 cm
2015
The Gregory Battcock Archive, Grazer Kunstverein, Graz
December 12, 2015 – February 21, 2016
Installation view, The Gregory Battcock Archive, Grazer Kunstverein, Graz, 2016
Installation view, The Gregory Battcock Archive, Grazer Kunstverein, Graz, 2016
Installation view, The Gregory Battcock Archive, Grazer Kunstverein, Graz, 2016
Installation view, The Gregory Battcock Archive, Grazer Kunstverein, Graz, 2016
Installation view, The Gregory Battcock Archive, Grazer Kunstverein, Graz, 2016
2013
Le principe galapágos, Palais de Tokyo, Paris
June 20 – September 9, 2013
Installation view, Le principe galapágos, Palais de Tokyo, Paris, 2013
Installation view, Le principe galapágos, Palais de Tokyo, Paris, 2013
Installation view, Le principe galapágos, Palais de Tokyo, Paris, 2013
Installation view, Le principe galapágos, Palais de Tokyo, Paris, 2013
Installation view, Le principe galapágos, Palais de Tokyo, Paris, 2013
2011
Nul si découvert/Void if Removed, FRAC Ile-de-France/Le Plateau
June 9 – August 7, 2011
Installation view, Symphonie plastique, FRAC Ile-de-France/Le Plateau, Paris
Installation view, Symphonie plastique, FRAC Ile-de-France/Le Plateau, Paris
Installation view, Symphonie plastique, FRAC Ile-de-France/Le Plateau, Paris
2003
Joseph Grigely, Comes from Living in Jersey, Galerie Francesca Pia, Bern
May 15 – June 28, 2003
Installation view, Joseph Grigely, Comes from Living in Jersey, Galerie Francesca Pia, Bern, 2003