2018 | Galerie Buchholz, Hölle, New York
Mumok, Doppelleben: Bildende Künstler_innen machen Musik, Vienna
Halle für Kunst, HARSH ASTRAL. The Radiants II, Lüneburg
Galerie Francesca Pia, HARSH ASTRAL – The Radiants II, Green Tea Gallery at Galerie Francesca Pia, Zurich |
2017 | MAMCO, Zeitgeist, Geneve
Stedelijk Museum, Jump into the Future – Art from the 90’s and 2000’s, Amsterdam
Bortolami, University of Desasters, curated by Matthew Grumbach, New York
Galerie Francesca Pia, L’image, curated by Vincent Romagny, Zurich |
2016 | Kunsthalle Bern, 30 Jahre Stiftung Kunsthalle Bern, Bern
Leonard & Bina Ellen Gallery, SBC Gallery of Contemporary Art and VOX, Centre de l’Image, Putting Rehearsals to the Test, Montreal
Campoli Presti, Group Exhibition, Paris
Mumok, Painting 2.0: Expression in the Information Age, Vienna
Halle für Kunst, Fantasie, Lüneburg
Galerie Francesca Pia, Spring Awakening, Zurich |
2015 | Rubell Family Collection, No Man’s Land, Miami
Museum Brandhorst, Painting 2.0: Expression in the Information Age, Munich
Kunstmuseum Stuttgart, I Got Rhythm. Kunst und Jazz seit 1920, Stuttgart
Whitney Museum of American Art, Collected by Thea Westreich Wagner and Ethan Wagner, New York
Musée d’Art Moderne de la Ville de Paris, Apartés, Paris
Kunsthaus Zürich, Sinnliche Ungewissheit- Eine private Sammlung, Zurich
Campoli Presti, The Pleasure of the Text, London
Bortolami, The Radiants, curated by Jacob King and UNITED BROTHERS, New York |
2014 | Bonnefantenmuseum, Beating around the bush, Episode #4, Maastricht
Silberkuppe, New Dawn, cur. by Leidy Churchman, Berlin
On Stellar Rays, No Drink No Talk Just Beautiful, New York |
2013 | Andrew Rafacz, Psychosexual, Chicago
The New Museum, NYC 1993: Experimental Jet Set, Trash and No Star, New York
Künstlerhaus Graz, Chat Jet, Malerei <jenseits> ihres Mediums, Graz
Campoli Presti, DEATH BY WATER. DEATH BY FIRE, Lucy Dodd, Jutta Koether, Nora Schultz, Viola Yesiltac, Paris
Moderna Museet, Lies About Painting, Malmö
Locks Gallery, Catch as Catch Can, Philadelphia
PRAXES, Innagrual Cycles, Berlin |
2012 | Tate Gallery, A Bigger Splash: Paintings after Performance, London
Galerie Francesca Pia, La Demeure Joyeuse II, Zurich
Museum of Contemporary Art, Blues for Smoke, Los Angeles
Kunsthalle Bern, The Old, The New, The Different, Bern
The Geffen Contemporary at MOCA, Blues for Smoke, Los Angeles
Saatchi Gallery, Gesamtkunstwerk: new art from Germany, London
Whitney Museum, Whitney Biennal 2012, New York
Collezione Maramotti, Archetypes and Historicity. Painting and Other Radical Forms 1995-2007, Reggio Emilia |
2011 | Galerie Peithner-Lichtenfels, Antidepressiva, Vienna
IBID PROJECTS London, Group Show, London |
2010 | Steirischer Herbst Festivalbüro, Steirischer Herbst 2010: Utopie und Monument II, Graz
Öffentlicher Raum New York, Wait for Me at the Bottom of the Pool, New York
Chrisenhale Gallery, Electra presents – 27 Senses, London
Sammlung Falckenberg, Internationale Kunst aus der Sammlung Reininghaus, Köln/ Hamburg
SUTTON LANE, Signatures, Paris
Kantor / Feuer Gallery, Negation, Subtraction, Dissolution, Los Angeles
Kunstverein Langenhagen, AMOR PARVI oder DIE LIEBE ZUM KLEINEN, Langenhagen
The Kitchen, Besides, With, Against, and Yet: Abstraction and the Ready-Made Gesture, New York |
2009 | Lentos Kunstmuseum, SEE THIS SOUND – Versprechungen von Bild und Ton, Linz
Museum of Contemporary Art, Collecting History, Los Angeles
Scaramouche Gallery, The Practice of Joy before Death. It would not be a party without you, New York
KUBE Museum, 27 Senses, Aalesund
Sandra Beurgel Galerie, We improve your work, Berlin
Kunsthalle St. Gallen, Born to Be Wild, St. Gallen
Van Abbemuseum, Trio Exhibition 2009, Eindhoven
Galerie Daniel Buchholz, Quodlibet II, Cologne
Kunsthalle, Sonic Youth etc.: Sensational Fix, Düsseldorf
Isabella Bortolozzi Galerie, Celebration, Berlin
Galerie Chantal Crousel, Bijoux de Famille, Paris |
2008 | Galerie Chantal Crousel, Reena Spaulings: Courbet your enthusiasm, Paris
Badischer Kunstverein, Her Noise Archives, Karlsruhe
Ile des impressionnistes, Black Noise, A tribute to Steven Parrino, Chatou
Glaspavillon, Light is a kind of rhythem (part 2), Berlin
Neuer Berliner Kunstverein, Jutta Koether / John Miller, Berlin
Artists Space, New York (Performance)
Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), performance, Grand Openings, Vienna
Bumpershoot Festival, performance, Grand Openings, Seattle
Dundee Contemporary Arts, Altered States of Paint, Dundee
Galerie Thomas Flor, CA.BU. + BA.D.AL.MO, Düsseldorf |
2007 | Galerie Fank Elbaz, Deaf 2. From the Audible to the Visible, Paris
Susanne Vielmetter Berlin Projects, Jutta Koether/Rodney McMillian, Berlin
Galerie Frank Elbaz, From the Audible to the Visible, Paris
Peter Blum Gallery, Stubborn Materials, New York
Shedhalle, Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermächtigung, Zurich
Palais de Tokyo, Bastard Creature (1 of 3 parts of ‚La Marque Noir: Steven Parrino’), Paris
dePury & Luxembourg, Painting as Fact – Fact as Fiction, Zurich
Reena Spaulings Fine Art, Dead Already, New York
von der Heydt-Museum, Symbolismus und die Kunst der Gegenwart, Wuppertal
Secession, Kunsthaus Dresden, Shandyismus – Autorschaft als Genre – Ausstellungsgespräch, Vienna and Dresden
Zentrum für Kunst und Medientechnologie, zwischen zwei toden between two deaths, Karlsruhe
Sutton Lane Paris, For the People of Paris, Paris
BUIA Gallery, Quotidian, New York
Blancpain Art Contemporain, What we do is secret, Geneva |
2006 | deApple, If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Amsterdam
Galerie Krinzinger, Hot Spring...In Autumn, Vienna
P.S.1 Contemporary Art Center, Music is a better noise, Long Island City
Echigo-Tsumari Art Triennial 2006, Nigata-ken
Apexart, Gifts go in one direction, New York
Elizabeth Dee Gallery, Bring the war home, New York
Paul Cooper Gallery, An Ongoing Low-Grade Mystery, New York
Herald St, Metalist Moment (Performance), London
Institute of Contemporary Art, University of Pennsylvania/ the Power Plant/ Henry Art Gallery, University of Washington/ Museum of Contemporary Art, Make your own life, Philadelphia/ Toronto/ Seattle/ North Miami
Herald St, Love Letter, London
Metro Pictures Gallery, Galerie Daniel Buchholz at Metro Pictures, New York
Reena Spaulings Fine Art, The Dimes of March, New York
Van Abbemuseum, The Subversive Charm of the Bourgeoisie, Eindhoven
Whitney Museum, Whitney Biennial 2006, New York
TBILISI 3. Let’s stay alive till monday, Tbilisi
Sutton Lane, Reena Spaulings ‚Bialystoker’, London
MAGASIN – Centre National d’Art Contemporaine de Grenoble, Replay – The Aesthetics of Art and Music/Punk, Grenoble |
2005 | Orchard Gallery, Painters Without Paintings & Paintings Without Painters, New York
Performa 05, Performa, New York
Standard, Blankness is not a Void, Oslo
Apexart, Afterall, New York
White Columns, Trade, New York |
2004 | KW Institute of Contemporary Art, Jetzt und zehn Jahre davor, Berlin
Rheinschau, Cologne
Galerie Daniel Buchholz, Teil 1 Müllberg, Cologne
Cubitt, Publish and be damned, London
Künstlerhaus Wien, Born to be a Star, Vienna
ICA Philadelphia, The Big Nothing, Philadelphia
Kunsthalle Exnergasse, The personal is political, und peinlich, Vienna
P.S.1, Curious Crystals of Unusual Purity, New York |
2003 | Generali Foundation, Fresh Aufhebung, Performance on the occasion of the show Dass die Körper sprechen, auch das wissen wir seit langem, Vienna
Steirischer Herbst, Grazer Kunstverein, Vom Horror der Kunst, Graz
Monika Sprüth - Philomene Magers, 20th Anniversary Show, Cologne
Anton Kern Gallery, The Melvins, New York
Frankfurter Kunstverein, deutschemalereizweitausenddrei, Frankfurt/Main
Greene Naftali Gallery, Holler Color Holler, Special Event in the Backroom of Greene Naftali, New York |
2002 | Daniel Reich, Unknown Pleasures, New York |
2000 | MU Art Foundation/De Witte Dame, Kims Bedroom, Eindhoven
Swiss Institute, Prophecies, New York
Team Gallery, Hex Enduction Hour by the Fall, curated by Bob Nickas, New York |
1999 | INIT-Kunsthalle, Malerei, Berlin |
1998 | Westfälischer Kunstverein, Brushholder Value, Münster
Pat Hearn Gallery, Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto, New York |
1997 | Newspace, Thomas Emde, Isabell Heimerdinger, Jutta Koether: No Strangers to Paradise, Three German Artists in California, Los Angeles |
1996 | Bard College, A/Drift, curated by Joshua Decter, Annandale-on-Hudson
Magasin 3, Center for Contemporary Art, Painting the Extended Field, Malmö
Friedrich Petzel Gallery, Screen, curated by Joshua Decter, New York
Soho 20, Ooo La La!: Twelve Members of the New York Art World Select Twelve Emerging Women Artists, New York |
1995 | Kunstwerke, When Techno Turns to Poetry, Berlin
Here, Joy of Painting, curated by Ami Arnault und Alix Lambert, New York |
1994 | Forum Stadtpark, Spielverderber, Graz
Pat Hearn Gallery, Rehearsal for ‘frontage’, on the occasion of Taste Venue, New York
Arthur Rogers Gallery, Dysfunction USA, curated by Bob Nickas und Peter Halley, New Orleans
Wiener Secession, Reflex: Die Neunziger, curated by Martin Prinzhorn, Vienna
Terrain Gallery, The Use of Pleasure, curated by Bob Nickas, San Francisco |
1993 | Galerie Jousse Séquin, The Good, the Bad and the Ugly, curated by von Peter Hopkins, Paris
Malerei 2000, Vienna
Galerie Thaddaeus Ropac, June, Paris
Whitney Museum of American Art, Independent Study Program Annual Open Studio Competition, Abstract for Affective Import, New York
P.S. 1 Institute for Contemporary Art, Parralax View: Cologne-New York, curated by Daniela Salvioni, New York
Blast Art Benefit, X- Art Foundation, New York
Galerie Christian Nagel, curated by Cosima von Bonin and Michael Krebber, Cologne |
1992 | Institute for Contemporary Art, 7 Rooms, 7 Curators, curated by Lois Nesbitt, New York
Buchholz & Buchholz, Projezioni, curated by Gregorio Magnani, Cologne
Le Consortium, curated Bob Nickas, Dijon
Bruno Brunnet Fine Arts, with Merlin Carpenter, Michael Krebber, Cosima von Bonin, Berlin
Galerie Laage Salomon, with L. Joubert, Paris
Galerie Sophia Ungers, Massenverhältnisse - Standards, Cologne
Water Bar, The Inside Job on the occasion of The real Thing, organised by Eric Oppenhein, New York |
1991 | 36. Salon de Montrouge, Regard sur la Jeune Creation Allemande, Montrouge
90 a.s.o., Koether - Malerei 2, curated by Francoise Claire Prodhon und Alain Reinaudo, Auvers-sur-Oise,
9 Kölner Galerien, Auf Tod folgt Tod on the occasion of The Köln Show, Cologne |
1989 | Kunstverein München, Hypostatics, curated by minimal club, Munich |
1987 | Forum Stadtpark, ... of Everyday Life, on the occasion of the exhibition Broken Neon, curated by Martin Kippenberger, Graz
Wiener Secession, Information in Jutta Koether, Vienna
La Maquina Espanola, Spectacle of the West, with Bettina Semmer and Rosemarie Trockel, Sevilla
Raum Lothringer Straße, Practical Relations of Everyday Life, Munich |
1986 | Forum Stadtpark, Terminal Islands, curated by Diedrich Diedrichsen, Graz |
1985 | La Grande Serre, Trockel Semmer Koether, Rouen |
