2024
Thin Film: Marta Riniker Radich & Jonas von Ostrowski, A Certain Lack of Coherence, Porto
May 24 – June 23, 2024

Installation view, Thin Film: Marta Riniker Radich & Jonas von Ostrowski, A Certain Lack of Coherence, Porto, 2024

Installation view, Thin Film: Marta Riniker Radich & Jonas von Ostrowski, A Certain Lack of Coherence, Porto, 2024

Installation view, Thin Film: Marta Riniker Radich & Jonas von Ostrowski, A Certain Lack of Coherence, Porto, 2024

Installation view, Thin Film: Marta Riniker Radich & Jonas von Ostrowski, A Certain Lack of Coherence, Porto, 2024

Installation view, Thin Film: Marta Riniker Radich & Jonas von Ostrowski, A Certain Lack of Coherence, Porto, 2024

Installation view, Thin Film: Marta Riniker Radich & Jonas von Ostrowski, A Certain Lack of Coherence, Porto, 2024

Installation view, Thin Film: Marta Riniker Radich & Jonas von Ostrowski, A Certain Lack of Coherence, Porto, 2024
2022
Systems of Belief, Halle für Kunst Steiermark, Graz
September 25, 2022 – January 8, 2023

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022

Installation view, Systems of Belief, Halle für Kunst Steiermark, Graz, 2022
Swiss Art Awards, Basel
June 13–19, 2022

Installation view, Bundesamt für Kultur, Swiss Art Awards 2022, Basel, 2022. Photo: Guadalupe Ruiz

Installation view, Bundesamt für Kultur, Swiss Art Awards 2022, Basel, 2022. Photo: Guadalupe Ruiz

Installation view, Bundesamt für Kultur, Swiss Art Awards 2022, Basel, 2022. Photo: Guadalupe Ruiz

Installation view, Bundesamt für Kultur, Swiss Art Awards 2022, Basel, 2022

Installation view, Bundesamt für Kultur, Swiss Art Awards 2022, Basel, 2022

Installation view, Bundesamt für Kultur, Swiss Art Awards 2022, Basel, 2022

Installation view, Bundesamt für Kultur, Swiss Art Awards 2022, Basel, 2022

Installation view, Bundesamt für Kultur, Swiss Art Awards 2022, Basel, 2022
La réforme de Pooky, Kunsthalle Fri Art, Fribourg
February 19 – May 8, 2022

Installation view, La réforme de Pooky, Kunsthalle Fri Art, Fribourg, 2022

Installation view, La réforme de Pooky, Kunsthalle Fri Art, Fribourg, 2022
2021
Group Show, Die Treppe, Jan Kiefer, Birsfelden
November 28, 2021 – January 15, 2022

Installation view, Group Show, Die Treppe, Jan Kiefer, Birsfelden, 2021

Installation view, Group Show, Die Treppe, Jan Kiefer, Birsfelden, 2021

Installation view, Group Show, Die Treppe, Jan Kiefer, Birsfelden, 2021

Marta Riniker-Radich, The Conservative Treehouse, 2018, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, Re-engineering, 2021, Wax crayon and oil stick on paper, laser print, inkjet print, plywood frame, 30 x 40 cm

Marta Riniker-Radich, Re-engineering, 2021, Wax crayon and oil stick on paper, laser print, inkjet print, plywood frame, 30 x 40 cm

Marta Riniker-Radich, Re-engineering, 2021, Wax crayon and oil stick on paper, laser print, inkjet print, plywood frame, 30 x 40 cm

Marta Riniker-Radich, Re-engineering, 2021, Wax crayon and oil stick on paper, laser print, inkjet print, plywood frame, 30 x 40 cm

Marta Riniker-Radich, Slow and Steady Wins the Race, 2020, Colored pencil and pencil on paper, 42 x 59.4 cm
Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan
September 16 – October 30, 2021

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Marta Riniker-Radich, No Grace Period (detail), 2021, 30 works, colored pencil and pencil on paper, inkjet print and various materials on paper, wooden frames, vitrines, 100 x 170 x 92 cm

Marta Riniker-Radich, No Grace Period (detail), 2021, 30 works, colored pencil and pencil on paper, inkjet print and various materials on paper, wooden frames, vitrines, 100 x 170 x 92 cm

Marta Riniker-Radich, No Grace Period (detail), 2021, 30 works, colored pencil and pencil on paper, inkjet print and various materials on paper, wooden frames, vitrines, 100 x 170 x 92 cm

Marta Riniker-Radich, No Grace Period (detail), 2021, 30 works, colored pencil and pencil on paper, inkjet print and various materials on paper, wooden frames, vitrines, 100 x 170 x 92 cm

Marta Riniker-Radich, No Grace Period (detail), 2021, 30 works, colored pencil and pencil on paper, inkjet print and various materials on paper, wooden frames, vitrines, 100 x 170 x 92 cm

Marta Riniker-Radich, No Grace Period (detail), 2021, 30 works, colored pencil and pencil on paper, inkjet print and various materials on paper, wooden frames, vitrines, 100 x 170 x 92 cm

Marta Riniker-Radich, No Grace Period (detail), 2021, 30 works, colored pencil and pencil on paper, inkjet print and various materials on paper, wooden frames, vitrines, 100 x 170 x 92 cm

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Installation view, Marta Riniker-Radich, Patience Will Reward Those Who Lie in Wait, Istituto Svizzero, Milan, 2021. Photo: Giulio Boem

Marta Riniker-Radich, Untitled, 2021, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, No Fly by Night Pamphleteer, 2021, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, Untitled, 2021, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, Untitled, 2021, Colored pencil and pencil on paper, 29.7 x 21 cm
No Fly by Night Pamphleteer, 2021, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, And Now the Inevitable Is Staring Them in Their Wobbly Faces and Leaving Footprints in Their Home, 2020, Colored pencil and pencil on paper, each 21 x 29.7 cm

Marta Riniker-Radich, And Now the Inevitable Is Staring Them in Their Wobbly Faces and Leaving Footprints in Their Home, 2020, Colored pencil and pencil on paper, each 21 x 29.7 cm
2020
Kasten, Stadtgalerie Bern
February 28 – May 16, 2020

Installation view, Kasten, Stadtgalerie Bern, 2020. Photo: Cédric Eisenring

Installation view, Kasten, Stadtgalerie Bern, 2020. Photo: Cédric Eisenring

Installation view, Kasten, Stadtgalerie Bern, 2020. Photo: Cédric Eisenring

Installation view, Kasten, Stadtgalerie Bern, 2020. Photo: Cédric Eisenring

Installation view, Kasten, Stadtgalerie Bern, 2020. Photo: Cédric Eisenring

Installation view, Kasten, Stadtgalerie Bern, 2020. Photo: Cédric Eisenring

Installation view, Kasten, Stadtgalerie Bern, 2020. Photo: Cédric Eisenring

Installation view, Kasten, Stadtgalerie Bern, 2020. Photo: Cédric Eisenring

Installation view, Kasten, Stadtgalerie Bern, 2020. Photo: Cédric Eisenring
2020
Marta Riniker-Radich, We’ll Take Your @#$&! and Sell It Down the River, Pozi Driv Two, London
February 2020
George (Text), 2020

Installation view, Marta Riniker-Radich, We’ll Take Your @#$&! and Sell It Down the River, Pozi Driv Two, London, 2020

Installation view, Marta Riniker-Radich, We’ll Take Your @#$&! and Sell It Down the River, Pozi Driv Two, London, 2020

Installation view, Marta Riniker-Radich, We’ll Take Your @#$&! and Sell It Down the River, Pozi Driv Two, London, 2020

Installation view, Marta Riniker-Radich, We’ll Take Your @#$&! and Sell It Down the River, Pozi Driv Two, London, 2020

Marta Riniker-Radich, Slow and Steady Wins the Race, 2019–2020, Colored Pencil, Pencil on Paper, 65 x 47 cm

Marta Riniker-Radich, Slow and Steady Wins the Race, 2019–2020, Colored Pencil, Pencil on Paper, 65 x 47 cm

Marta Riniker-Radich, Slow and Steady Wins the Race, 2019–2020, Colored Pencil, Pencil on Paper, 65 x 47 cm

Marta Riniker-Radich, The Perfect Storm, 2020, MDF, Glass, Acrylic Paint, Polyurethane Foam, Texts & Notes, 110 x 65 x 55 cm

Marta Riniker-Radich, The Perfect Storm (detail), 2020, MDF, Glass, Acrylic Paint, Polyurethane Foam, Texts & Notes, 110 x 65 x 55 cm

Marta Riniker-Radich, The Perfect Storm, 2020, MDF, Glass, Acrylic Paint, Polyurethane Foam, Texts & Notes, 110 x 65 x 55 cm

Marta Riniker-Radich, The Perfect Storm (detail), 2020, MDF, Glass, Acrylic Paint, Polyurethane Foam, Texts & Notes, 110 x 65 x 55 cm
2019
Marta Riniker-Radich, Last Gasp, Galerie Francesca Pia, Zurich
October 26 – November 30, 2019

Installation view, Marta Riniker-Radich, Last Gasp, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

Installation view, Marta Riniker-Radich, Last Gasp, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

Installation view, Marta Riniker-Radich, Last Gasp, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

Installation view, Marta Riniker-Radich, Last Gasp, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

Installation view, Marta Riniker-Radich, Last Gasp, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

Installation view, Marta Riniker-Radich, Last Gasp, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

Marta Riniker-Radich, Baby Talk, 2018, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, Born to Lead, 2019, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, Born to Lead, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, The End of an Era, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, Unwelcome Gifts, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, With No Apologies, 2019, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, Denn Hier Bestimmen Wir, 2018, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, The Conservative Treehouse, 2018, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, A Sidekick Named Snake, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, A Frame of Cast Iron Lace, 2018, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, Born to Lead, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, The Vapors, 2019, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, An Unattainable Memory, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, Born to Lead, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm
2018
Marta Riniker-Radich, We, on the Other Hand, Can Do Everything Remotely, Kunsthaus Glarus
March 18 – May 13, 2018

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier


Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Kunsthaus Glarus, 2018. Photo: Gunnar Meier
Marta Riniker-Radich, Going thus the way of hitchhiking, unsupervised trick-or-treating and door to door sales
Eclair, Berlin
June 22 – September 9, 2018

Installation view, Marta Riniker-Radich, Eclair, Berlin, 2018

Installation view, Marta Riniker-Radich, Eclair, Berlin, 2018

Installation view, Marta Riniker-Radich, Eclair, Berlin, 2018

Installation view, Marta Riniker-Radich, Eclair, Berlin, 2018

Installation view, Marta Riniker-Radich, Eclair, Berlin, 2018

Installation view, Marta Riniker-Radich, Eclair, Berlin, 2018

Installation view, Marta Riniker-Radich, Eclair, Berlin, 2018

Installation view, Marta Riniker-Radich, Eclair, Berlin, 2018


Installation view, Marta Riniker-Radich, Eclair, Berlin, 2018
2016
Marta Riniker-Radich, Every Home a Fortress Every Hearth a Blossom, Swiss Institute, New York
November 2 – December 18, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016


Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016

Installation view, Marta Riniker-Radich, Swiss Institute New York, 2016
Marta Riniker-Radich, Manor Kunstpreis 2016, Aargauer Kunsthaus, Aarau
April 30 – August 7, 2016

Installation view, Marta Riniker-Radich, Manor Kunstpreis 2016, Aargauer Kunsthaus, Aarau. Photo: David Aebi

Installation view, Marta Riniker-Radich, Manor Kunstpreis 2016, Aargauer Kunsthaus, Aarau. Photo: David Aebi

Installation view, Marta Riniker-Radich, Manor Kunstpreis 2016, Aargauer Kunsthaus, Aarau. Photo: David Aebi

Installation view, Marta Riniker-Radich, Manor Kunstpreis 2016, Aargauer Kunsthaus, Aarau. Photo: David Aebi

Installation view, Marta Riniker-Radich, Manor Kunstpreis 2016, Aargauer Kunsthaus, Aarau. Photo: David Aebi

Installation view, Marta Riniker-Radich, Manor Kunstpreis 2016, Aargauer Kunsthaus, Aarau. Photo: David Aebi

Installation view, Marta Riniker-Radich, Manor Kunstpreis 2016, Aargauer Kunsthaus, Aarau. Photo: David Aebi
2015
Stipendium Vordemberge-Gildewart, Centre Pasqu'art, Biel
September 27 – November 22, 2015

Installation view, Marta Riniker-Radich, Centre Pasqu'art, Biel. Photo: Cédric Eisenring

Installation view, Marta Riniker-Radich, Centre Pasqu'art, Biel. Photo: Cédric Eisenring

Marta Riniker-Radich, A Highly Sophisticated Security Blanket (detail), 2015, pencil on paper, 5 drawings 42 x 59.4 cm, 2 drawings 29.7 x 42 cm, papier mâché eyeballs

Marta Riniker-Radich, A Highly Sophisticated Security Blanket (detail), 2015, pencil on paper, 5 drawings 42 x 59.4 cm, 2 drawings 29.7 x 42 cm, papier mâché eyeballs

Marta Riniker-Radich, A Highly Sophisticated Security Blanket (detail), 2015, pencil on paper, 5 drawings 42 x 59.4 cm, 2 drawings 29.7 x 42 cm, papier mâché eyeballs

Installation view, Marta Riniker-Radich, Centre Pasqu'art, Biel. Photo: Cédric Eisenring
2013
Marta Riniker-Radich, Scuffling grinding tearing pounding banging slamming, Kunsthaus Langenthal
August 29 – November 10, 2013

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi

Installation view, Marta Riniker-Radich, Kunsthaus Langenthal, 2013. Photo: Martina Flury Witschi
2012
Marta Riniker-Radich, The Color of Mud and Clouds, Galerie Francesca Pia, Zurich
December 14, 2012 – February 2, 2013

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Marta Riniker-Radich, A Private Store of Fog, 2011, Colored pencil and pencil on paper, 21 × 29.7 cm

Marta Riniker-Radich, Untitled, 2012, Colored pencil and pencil on paper, 29.7 × 21 cm

Marta Riniker-Radich, Marbella & Altamira, 2012, Colored pencil, pencil and collage on paper, 29.7 × 41 cm

Marta Riniker-Radich, NB4, 2012, Colored pencil and pencil on paper, 29.7 × 21 cm

Marta Riniker-Radich, Untitled, 2012, Colored pencil and pencil on paper, 21 × 29.7 cm

Marta Riniker-Radich, The Punisher, 2012, Colored pencil and pencil on paper, 29.7 × 21 cm

Marta Riniker-Radich, Untitled, 2010, Colored pencil and pencil on paper, 21 × 29.7 cm

Marta Riniker-Radich, Untitled, 2012, Colored pencil, pencil and collage on paper, 21 × 29.7 cm

Marta Riniker-Radich, Ruby in the Sky, 2010, Colored pencil and pencil on paper, 21 × 29.7 cm
2012
La jeunesse est un art. Jubiläum Manor Kunstpreis 2012, Aargauer Kunsthaus 2012
September 1 – November 18, 2021

Marta Riniker-Radich, Only Hit People When Provoked, Inkjet print on adhesive paper, 445 x 455 / 750 x 455 / 445 x 455 cm
Installation view, Aargauer Kunsthaus, 2012. Photo: David Aebi

Marta Riniker-Radich, Only Hit People When Provoked, Inkjet print on adhesive paper, 445 x 455 / 750 x 455 / 445 x 455 cm
Installation view, Aargauer Kunsthaus, 2012. Photo: David Aebi

Marta Riniker-Radich, Only Hit People When Provoked, Inkjet print on adhesive paper, 445 x 455 / 750 x 455 / 445 x 455 cm
Installation view, Aargauer Kunsthaus, 2012. Photo: David Aebi