2024
Virginia Overton, Domino Sugar Refinery, New York
Permanent installation
Installation view, Virginia Overton, Untitled (reverse virgule), Domino Sugar Refinery, New York, 2024. Photo: Etienne Frossard
Installation view, Virginia Overton, Untitled (reverse virgule), Domino Sugar Refinery, New York, 2024. Photo: Etienne Frossard
Installation view, Virginia Overton, Untitled (reverse virgule), Domino Sugar Refinery, New York, 2024. Photo: Etienne Frossard
The Domino Sugar sign before it was dismantled in 2014. Image: Stephen Chernin/Getty Images
Studio view, Virginia Overton, Untitled (reverse virgule), Domino Sugar Refinery, New York, 2024. Photo: the Artist
Studio view, Virginia Overton, Untitled (reverse virgule), Domino Sugar Refinery, New York, 2024. Photo: the Artist
2023
Virginia Overton, TULIP, Hypermaremma, Polveriera Guzman, Orbetello
April 8 – October 8, 2023
Installation view, Virginia Overton, TULIP, Hypermaremma, Polveriera Guzman, Orbetello, 2023. Photo: Daniele Molajoli
Installation view, Virginia Overton, TULIP, Hypermaremma, Polveriera Guzman, Orbetello, 2023. Photo: Daniele Molajoli
Installation view, Virginia Overton, TULIP, Hypermaremma, Polveriera Guzman, Orbetello, 2023. Photo: Daniele Molajoli
Installation view, Virginia Overton, TULIP, Hypermaremma, Polveriera Guzman, Orbetello, 2023. Photo: Daniele Molajoli
Installation view, Virginia Overton, TULIP, Hypermaremma, Polveriera Guzman, Orbetello, 2023. Photo: Daniele Molajoli
2022
Virginia Overton, Saved, Gordon Contemporary Artists Project Gallery, Frist Art Museum, Nashville
October 7 – December 31, 2022
Installation view, Virginia Overton, Saved, Frist Art Museum, Nashville, 2022. Photo: John Schweikert
Installation view, Virginia Overton, Saved, Frist Art Museum, Nashville, 2022. Photo: John Schweikert
Installation view, Virginia Overton, Saved, Frist Art Museum, Nashville, 2022. Photo: John Schweikert
Installation view, Virginia Overton, Saved, Frist Art Museum, Nashville, 2022. Photo: John Schweikert
Installation view, Virginia Overton, Saved, Frist Art Museum, Nashville, 2022. Photo: John Schweikert
Installation view, Virginia Overton, Saved, Frist Art Museum, Nashville, 2022. Photo: John Schweikert
Installation view, Virginia Overton, Saved, Frist Art Museum, Nashville, 2022. Photo: John Schweikert
Installation view, Virginia Overton, Saved, Frist Art Museum, Nashville, 2022. Photo: John Schweikert
Installation view, Virginia Overton, Saved, Frist Art Museum, Nashville, 2022. Photo: John Schweikert
Virginia Overton, Skylight Gems, La Guardia Airport, Delta Terminal, New York
Permanent installation since June 1, 2022
Installation view, Virginia Overton, Skylight Gems, La Guardia Airport, Delta Terminal, New York, 2022. Photo: Justin Kaneps
Installation view, Virginia Overton, Skylight Gems, La Guardia Airport, Delta Terminal, New York, 2022. Photo: Rank Studios
Installation view, Virginia Overton, Skylight Gems, La Guardia Airport, Delta Terminal, New York, 2022. Photo: Rank Studios
Virginia Overton, Animal Magnetism, Goldsmiths CCA, London
May 7 – July 31, 2022
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
Installation view, Virginia Overton, Animal Magnetism, Goldsmiths CCA, London, 2022. Photo: Rob Harris
The Milk of Dreams, La Biennale di Venezia 2022, 59th international Art Exhibition
Curated by Cecilia Alemani
April 23 – November 27, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (tulip), 2022, Reinforced concrete, brass and glass, 620 x 540 cm
Site-specific installation, La Biennale di Venezia, 2022
Virginia Overton, Untitled (pink buoy), 2022, Hand blown glass, fish netting, rope, twine, fishing line, Ed. of 8, Diameter 50.8 cm
Installation view, La Biennale di Venezia, 2022
Virginia Overton, Untitled (pink buoy), 2022, Hand blown glass, fish netting, rope, twine, fishing line, Ed. of 8, Diameter 50.8 cm
Installation view, La Biennale di Venezia, 2022
Virginia Overton, Untitled (pink buoy), 2022, Hand blown glass, fish netting, rope, twine, fishing line, Ed. of 8, Diameter 50.8 cm
Installation view, La Biennale di Venezia, 2022
2021
Untitled (Cardinal C-80), Foreland, Catskill
October 15, 2021 – February 28, 2022
Installation view, Untitled (Cardinal C-80), Foreland, Catskill, 2021
Installation view, Untitled (Cardinal C-80), Foreland, Catskill, 2021
Installation view, Untitled (Cardinal C-80), Foreland, Catskill, 2021
2020
Nothing Is So Humble: Prints from Everyday Objects, Whitney Museum of American Art, New York
November 20, 2020 – April 18, 2021
Virginia Overton, Untitled (HILUX), 2016, Toyota Hilux 1996, metal strapping, 378.9 x 463.1 x 239.1 cm. Photo: Ron Amstutz
Virginia Overton, Untitled (HILUX), 2016, Toyota Hilux 1996, metal strapping, 378.9 x 463.1 x 239.1 cm. Photo: Ron Amstutz
Virginia Overton, Untitled (HILUX), 2016, Toyota Hilux 1996, metal strapping, 378.9 x 463.1 x 239.1 cm. Photo: Ron Amstutz
Virginia Overton, Untitled (HILUX), 2016, Toyota Hilux 1996, metal strapping, 378.9 x 463.1 x 239.1 cm. Photo: Ron Amstutz
Virginia Overton, Untitled (HILUX), 2016, Toyota Hilux 1996, metal strapping, 378.9 x 463.1 x 239.1 cm. Photo: Ron Amstutz
Ice and Fire, A benefit exhibition in three parts, The Kitchen, New York
October 15, 2020 – March 23, 2021
Virginia Overton, Untitled (Schedule 40), 2021, Steel pipe and steel couplings, 444.5 x 5.1 x 5.1 cm
Installation view, Ice and Fire, A benefit exhibition in three parts, The Kitchen, New York, 2020. Photo: Phoebe d'Heurle
Virginia Overton, Untitled (Schedule 40), 2021, Steel pipe and steel couplings, 444.5 x 5.1 x 5.1 cm
Installation view, Ice and Fire, A benefit exhibition in three parts, The Kitchen, New York, 2020. Photo: Phoebe d'Heurle
Transparent Things, Goldsmiths CCA, London
February 21 – March 15, 2020
Installation view, Transparent Things, Goldsmiths CCA, London, 2020. Photo: Mark Blower
Installation view, Transparent Things, Goldsmiths CCA, London, 2020. Photo: Mark Blower
2019
Virginia Overton, Fresh Hot Pizza, Galerie Francesca Pia, Zurich
December 14, 2019 – February 14, 2020
Installation view, Virginia Overton, Fresh Hot Pizza, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter
Virginia Overton, Untitled (snake), 2019, Painted aluminum, 448 x 290 x 15.5 cm. Photo: Annik Wetter
Virginia Overton, Untitled (double curve), 2019, Painted aluminum, 178 x 162 x 15 cm. Photo: Annik Wetter
Installation view, Virginia Overton, Fresh Hot Pizza, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter
Virginia Overton, Untitled, 2019, Painted aluminum, 110.5 x 104 x 15.5 cm. Photo: Annik Wetter
Virginia Overton, Untitled (detail), 2019, Painted aluminum, 110.5 x 104 x 15.5 cm. Photo: Annik Wetter
Installation view, Virginia Overton, Fresh Hot Pizza, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter
Virginia Overton, Untitled (inversion), 2019, Painted aluminum, 108 x 108 x 16 cm. Photo: Annik Wetter
Installation view, Virginia Overton, Fresh Hot Pizza, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter
Virginia Overton, Untitled (monolith), 2019, Painted aluminum, 145 x 570 x 15 cm. Photo: Annik Wetter
Virginia Overton, Untitled, 2019, Painted aluminum, 193 x 115 x 120 cm. Photo: Annik Wetter
Virginia Overton, Untitled, 2019, Sketch book. Photo: Annik Wetter
Virginia Overton, Untitled (detail), 2019, Sketch book
Installation view, Virginia Overton, Fresh Hot Pizza, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter
Virginia Overton, Untitled (watermelon), 2019, Painted aluminum, 270 x 440 x 15.5 cm. Photo: Annik Wetter
Installation view, Virginia Overton, Fresh Hot Pizza, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter
Installation view, Virginia Overton, Fresh Hot Pizza, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter
Virginia Overton, Untitled (slant), 2013, Wooden boards, 82 x 594 x 30.3 cm. Photo: Annik Wetter
Virginia Overton, Untitled (Ceci n'est pas une pipe.), 2019, Painted aluminum, 166 x 157 x 14.5 cm. Photo: Annik Wetter
2018
Virginia Overton, Built, Don River Valley Park, Toronto
December 1, 2018 – October 1, 2019
Installation view, Virginia Overton, Built, Don River Valley Park, Toronto, 2018
Installation view, Virginia Overton, Built, Don River Valley Park, Toronto, 2018
Installation view, Virginia Overton, Built, Don River Valley Park, Toronto, 2018
Installation view, Virginia Overton, Built, Don River Valley Park, Toronto, 2018
Installation view, Virginia Overton, Built, Don River Valley Park, Toronto, 2018
Installation view, Virginia Overton, Built, Don River Valley Park, Toronto, 2018
Installation view, Virginia Overton, Built, Don River Valley Park, Toronto, 2018
Virginia Overton, Built, Socrates Sculpture Park, Queens
May 6 – September 3, 2018
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
Installation view, Virginia Overton, Built, Socrates Sculpture Park, Queens, 2018. Photo: Nicholas Knight / Sara Morgan
2017
Virginia Overton, Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson
June 17 – October 1, 2017
Installation view, Virginia Overton, Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson, 2017. Photo: Maya Hawk
Installation view, Virginia Overton, Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson, 2017. Photo: Maya Hawk
Installation view, Virginia Overton, Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson, 2017. Photo: Maya Hawk
Installation view, Virginia Overton, Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson, 2017. Photo: Maya Hawk
Installation view, Virginia Overton, Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson, 2017. Photo: Maya Hawk
2016
Virginia Overton, Winter Garden, Whitney Museum of American Art, New York
October 28, 2016 – February 5, 2017
Installation view, Virginia Overton, Winter Garden, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Installation view, Virginia Overton, Winter Garden, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Installation view, Virginia Overton, Winter Garden, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Virginia Overton, Sculpture Gardens, Whitney Museum of American Art, New York
June 10 – September 25, 2016
Installation view, Virginia Overton, Sculpture Gardens, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Installation view, Virginia Overton, Sculpture Gardens, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Installation view, Virginia Overton, Sculpture Gardens, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Installation view, Virginia Overton, Sculpture Gardens, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Installation view, Virginia Overton, Sculpture Gardens, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Installation view, Virginia Overton, Sculpture Gardens, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Installation view, Virginia Overton, Sculpture Gardens, Whitney Museum of American Art, New York. Photo: Ron Amstutz
Virginia Overton, curated by Amy Smith-Stewart, The Aldrich Contemporary Art Museum, Ridgefield
May 1, 2016 – February 5, 2017
Installation view, Virginia Overton, The Aldrich Contemporary Art Museum, Ridgefield, 2016
Installation view, Virginia Overton, The Aldrich Contemporary Art Museum, Ridgefield, 2016
Installation view, Virginia Overton, The Aldrich Contemporary Art Museum, Ridgefield, 2016
Installation view, Virginia Overton, The Aldrich Contemporary Art Museum, Ridgefield, 2016
Descent, curated by Charlotte Ickes, Institute of Contemporary Art, University of Pennsylvania, Philadelphia
April 29 – August 14, 2016
Installation view, Descent, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 2016. Photo: Constance Mensh
Installation view, Descent, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 2016. Photo: Constance Mensh
Virginia Overton, Untitled (Juniperus virginiana), 2013, Easrern red cedar from Tennessee, 487.7 x 975.4 cm. Photo: Constance Mensh
Installation view, Descent, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 2016. Photo: Constance Mensh
2013
Virginia Overton, Kunsthalle Bern
August 23 – October 6, 2013
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier
Installation view, Virginia Overton, Kunsthalle Bern, 2013. Photo: Gunnar Meier