2024 | Edition VFO, Beyond Imagery, Zurich
Kunstmuseum Winterthur, Form Matters, Matter Forms. From Readymade to Product Fetish, Winterthur
Kunsthalle Bielefeld, Between Pixel and Pigment. Hybrid Painting in Post-Digital Times, Bielefeld
MoMA, Post-Atomic Abstraction: Collection 1980s-Present, New York
Fondation Beyeler, Sommeraustellung, Riehen |
2023 | Gagosian, To Bend the Ear of the Outer World – Conversations on contemporary abstract painting, London
mudac, Dialogue entre une pieuvre et un presse-agrumes, Lausanne
Hammer Museum, Together in Time: Selections from the Hammer Contemporary Collection, Los Angeles
Fondazione Palazzo Strozzi, Reaching for the Stars: From Maurizio Cattelan to Lynette Yiadom-Boakye, Florence |
2022 | David Zwirner & Performance Space New York, A Maze Zanine, Amaze Zaning, A-Mezzaning, Meza-9, New York
Matthew Marks Gallery, Making A Painting, Los Angeles
Galerie Francesca Pia, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Zurich |
2021 | Fondazione Prada, Stop Painting, curated by Peter Fischli, Venice |
2020 | The Kitchen, Ice and Fire: A Benefit Exhibition in Three Parts, New York
Frac Nouvelle-Aquitaine MÉCA, Milléniales: Peintures 2000–2020, Bordeaux
Galerie Francesca Pia, Arrows, curated by Eva Svennung, Zurich
Kanal Centre Pompidou, It Never Ends, curated by John Armleder, Brussels
Neues Museum Nürnberg, Out of Order. Works from the Haubrok Collection. Part 2, Nurnberg |
2019 | Neues Museum Nürnberg, Out of Order. Works from the Haubrok Collection. Part 1, Nurnberg
R and Company, Chairs Beyond Right & Wrong, curated by Raquel Cayre, New York
Museum Brandhorst, Forever Young – 10 Years Museum Brandhorst, Munich |
2018 | Galerie Francesca Pia, Lampen (Guyton / Walker), Zurich
Bündner Kunstmuseum Chur, Immer anders, immer gleich. Ein Versuch über Kunst und Systeme, Chur
Swiss Institute, Third Edition: Readymades belong to everyone, curated by Fredi Fischli and Niels Olsen, New York
Galerie Chantal Crousel, ReCycle, Paris |
2017 | Aspen Art Museum, Wade Guyton Peter Fischli David Weiss, Aspen
Kunsthalle Krems, Abstract Painting Now!, Krems |
2016 | Mumok, Painting 2.0: Expression in the Information Age, Vienna
Future Gallery, The Cable Guys II, Berlin
Musée d'Art Moderne de la Ville de Paris, Pandora's Box, Paris
Miriam and Ira D. Wallach Art Gallery, Columbia University, Lines of Flight, New York
Fridericianum, Images, Kassel |
2015 | Aïshti Foundation, New Skin, curated by Massimiliano Gioni, Beirut
Museum Brandhorst, Painting 2.0: Expression in the Information Age, Munich
Fondation Beyeler, Black Sun, Riehen/Basel
Gagosian Gallery, Sprayed, London
Whitney Museum of American Art, America is Hard to See, New York
Parkett Exhibition Space, Carte Blanche curated by Pamela Rosenkranz, Zurich
Rachel Uffner Gallery, Sorry, I’ve Been Trying to Teach a Peacock How to Act, curated by Pam Lins, New York
Mudam, Eppur si muove – Art et Technique, un espace partagé, Luxemourg
Villa Flora, Collecting Lines – Zeichnungen aus der Sammlung Ringier, Winterthur
MUDAM – Musée d’Art Moderne, Eppur si muove, Luxembourg |
2014 | Punta della Dogana, Prima Materia, Venice
Bathurst Regional Art Gallery, Stars & Stripes: American Art of the 21st Century from the Goldberg Collection, Bathurst
Kunsthalle Mainz, Les Gueules cassées: Scars from the Great War in the Contemporary Art, Mainz
Essex Street Gallery, The Contract, New York
James Cohan Gallery, By Proxy, New York
Belvedere Museums, 21er Haus and the Winter Palace, Love Story - The Anne and Wolfgang Titze Collection, Vienna
Academy of Arts and Letter, New York |
2013 | La Biennale di Venezia, Giardini-Arsenale, Il Palazzo Enciclopedico, Venice
MOMA, Abstract Generation: Now in Print, New York
Carnegie Muesum of Art, Carnegie International, Pittsburgh
Gagosian Gallery, The Show Is Over, London
Kunsthaus Bregenz, Guyton / Walker (with Kelley Walker), Bregenz
Matthew Marks Gallery, Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau and Wade Guyton, Los Angeles
Künstlerhaus Graz, Chat Jet, Malerei <jenseits> ihres Mediums, Graz
Fri-Art, Holes in the Walls: Early Works 1948 - 2013, Fribourg
Palazzo delle Esposizioni, Empire State. Arte a New York oggi, Rome
Greene Naftali, Freak Out, New York |
2012 | MOCA, The Painting Factory. Abstraction after Warhol, Los Angeles
Kunsthalle Zurich, LOOKING BACK FOR THE FUTURE, Zurich
Centro Cultural Andratx, Collaborations & Interventions, Andratx/Mallorca
Zacheta National Gallery of Art, New Sculptures, Warsaw
Kunsthalle Bern, The Old, The New, The Different, Bern |
2011 | Kunsthaus Bregenz, So machen wir es. Techniken und Ästhetik der Aneignung. Von Ei Arakawa bis Andy Warhol, Bregenz
Gio Marconi, X, Milan
Zurich University of Arts, Abstract Possible: The Zurich Test, a project by Maria Lind, with Wade Guyton and Tommy Stockel, Zurich
Luhring Augustine, Untitled (Painting), New York
Haubrokshows, Shapes, Berlin
Ribordy Contemporary, Abstract and Traces, Geneva
Langen Foundation, Systemanalyse, Düsseldorf
Museo Tamayo, Bosque de Chapultepec, Abstract Possible, Mexico City
Alain Noirhomme, 8 Americans, Brussels |
2010 | Parasite Art Space, Fax, Sheun Wan, Hong Kong
Gaviak Gallery, Five Year Anniversary, Palm Beach
Galerie Francesca Pia, Die grosse Inventur – 20 Year Anniversary Exhibition, Zurich
Malmö Konsthall, Abstract Possible, Malmö
Galerie Chantal Crousel, The Rule of the Game (La Règle de jeu), Paris
Westlondonprojects, Systems Analysis, London
Friedrich Petzel Gallery, The Space Between Reference and Regret, New York
Hessel Museum, At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Annandale-on-Hudson
Regen Projects, Picture Industry (Good Bye To All That), Los Angeles
E:vent Gallery, Narcissus Trance, London
Galerie Chantal Crousel, Almeria, Paris
Marlborough Gallery, Grass Grows by Itself, New York
Cherry and Martin, They Have Not the Art to Argue with Pictures, Los Angeles
Kimmerich, The Page, New York
Herald St., Fade into You, London
Exhibitional of the Federal Republic of Germany, Neugierig? (Curios?), Bonn |
2009 | Hausbrokshows, Collected things connected, curated by Jonathan Monk, Berlin
PSM Gallery, Cave Painting, Berlin
Galerie Francesca Pia, Top 10 Allegories, curated by Hard Hat , Zurich
Biennale Venezia, (Guyton/Walker), Venice
Miami Art Museum, Space as Medium, Miami
The Kitchen, Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture, New York
Galerie Conradi, DARE, Hamburg
Castello di Rivoli Museum of Contemporary Art, T2 Torino Triennale 50 Moons of Saturn, Turin
Rubell Family Collection, Beg Borrow and Steal, Miami
Espace Louis Vuitton, (Guyton/Walker & Wade Guyton), Paris
The Drawing Center, Fax, New York
Midway Contemporary Art, The Secret Life of Objects: Work from Private Twin Cities Collections, Minneapolis
A wild night and another road, Altman-Siegel Gallery S/F, San Fransisco |
2008 | Capitain Petzel Gallery, Kunst Im Heim, Berlin
Gagosian Gallery c/o Red October, for what you are about to receive, Moscow
Hammer Museum, Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Los Angeles
Centre Culturel Suisse, Around Max Bill, curated by Nicolas Trembley, Paris
Matthew Marks Gallery and Greene Naftali Gallery, Painting Now and Forever: Part II, New York
Casey Kaplan Gallery, Not So Subtle Subtitle, curated by Matthew Brannon, New York
White Columns, That social space between speaking and meaning, by Fia Backstrom, New York
Galerie Fortes Vilaca, God is Design, curated by Neville Wakefield, Sao Paulo
John Connelly Presents, A New High in Getting Low, New York
Artists Space, Nina In Position, curated by Jeffrey Uslip, New York
Western Michigan University, Sculpture and Concepts of Spatial Illusion: 1967-2007, curated by Don Desmett, Kalamazoo
Modern Institute, Records Played Backwards, curated by Daniel Birnbaum, Glasgow
Kunstmuseum Luzern, Blasted Allegories: Work from the Ringier Collection, Luzern
Galerie Johann König, Zuordnungsprobleme, Berlin
Torino Triennale,- 50 lune di Saturno, curated by Daniel Birnbaum, Torino |
2007 | Biennale de Lyon, Lyon
Greene Naftali Gallery, String Show, New York
Derek Eller Gallery, Neo-Integrity, curated by Keith Mayerson, New York
Museum of Modern Art, What is Painting?, curated by Anne Umland, New York
Galerie Chantal Crousel, Someone else with my fingerprints, Paris
Lewis Glucksman Gallery Univerity College Cork, Overtake: The Reinterpretation of modern Art, Cork
Richard Telles Fine Arts, Degree Zero, Los Angeles
Galerie Catherine Issert, Introvert, Extrovert, makes no Difference, curated by John Armleder, Saint Paul de Vence
Friedrich Petzel Gallery, The Lath Picture Show, New York
Le musée de Serignan/ Herning Art Museum/ The Centre for Contemporary Art Zanek Ujazdowski, Uncertain States of America: American Art in the 3rd Millennium, curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Serignan/ Herning/ Zanek Ujazdowski
Nationalmuseet for Kunst, Arkitektur og Deisg, DUMP – Postmodern Sculpture in the Dissolved Field, Oslo
Museum of Contemporary Art, Stuff: International Contemporary Art from the Collection of Burt Aaron, Detroit
Modern Art Oxford, Seth Price/Kelley Walker/Continuous Project, Oxford
Museo de Arte Puertorico, Appropriation, Authority and Authenticity, Santurce
ZKM Center for Art and Media, Imagination Becomes Reality. Expanded painting. Works from the Goetz Collection (Guyton\Walker collaboration), Karlsruhe
Thomas Dane Gallery, Very Abstract and Hyper Figurative, curated by Jens Hoffmann, London
Sutton Lane, c/o Galerie Ghislaine Hussenot, For the People of Paris, Paris
Villa Arson, HALF SQUARE, HALF CRAZY / A DEMI CARRE, A DEMI FOU, Nice
Dispatch, Hard Hut Dispatch, curated by Fabrice Stroun and Balthazar Lovay, New York
Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi |
2006 | Frac-Ile-de-France, Nouvelles acquisitions. Michel Blazy, Pierre Bismuth, Angela Detanico/Raphaël Lain, Nathalie Elemento, Laurent Grasso, Wade Guyton, Mathieu Lehanneur, Anthony McCall, Paris
Serpentine Gallery/ Reykjavik Art Museum/ The Center for Curatorial Studies/ Bard College, Uncertain States of America (Guyton\Walker collaboration), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran), London/ Reykjavik/ Annandale-on-Hudson
Shane Campell Gallery, Moderns Primitives, (Guyton/Walker), Chigaco
MUMOK, Wieder und Wieder: Performance Appropriated, (continuous Project), curated by Barbara Clausen and Achim Hochdoerfer, Vienna
Kunsthalle Zürich, Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Zurich
Children’s National Gallery, Tbilisi 3. Let’s Stay Alive Till Monday, curated Daniel Baumann, Tbilisi
Newcomb Art Gallery, Tulane University, Breathing Time, New Orleans
Sammlung Goetz, Imagination Becomes Reality. Part IV: Borrowed Images, Munich
QED, Bring the War Home (Guyton\Walker collaboration), Los Angeles
Casey Kaplan gallery, Pose & Sculpture, curated by Daniel Baumann, New York
Anton Kern Gallery, Delete/How to make a perfect ghost, New York
United Artists Ltd., Matthew Brannon, Wade Guyton, Patrick Hill, Marfa
Shane Campbell Gallery, Modern Primitives (Guyton\Walker collaboration), Chicago
Hyde Park Art Center, Home of the Free, curator Jens Hoffmann, Chicago
Haus Konstruktiv, Ordnung und Verführung, Zurich
Paula Cooper Gallery, An Ongoing Low-Grade Mystery (Guyton\Walker collaboration), New York
Galerie Rodolphe Janssen, Collection 2005–06 Mystery (Guyton\Walker collaboration), Brussels |
2005 | Astrup Fearnley Musset for Moderne Kunst, Uncertain States of America (Guyton\Walker collaboration), Olso
Kunstbunker, Unburied/Reburied, Nürnberg
Sculpture Center, Make It Now: New Sculpture in New York (Guyton\Walker collaboration), New York
Friedrich Petzel Gallery, Grey Flags, New York
P.S.1-MOMA, Greater New York, Long Island City
Air de Paris, New York Twice, Paris
Greenberg van Doren Gallery, Tête à Tête, New York
Mehdi Chouakri Galerie, Die Gute Forme, curated by Gerold Miller, Berlin
Galerie Six Friedrich Lisa Ungar, Dead/Undead, curated by Hans-Jürgen Hafner, Munich
Kunsthalle Andratx, Principles of Construction, curated by Friederike Nymphius, Mallorca
Fortescue Avenue Jonathan Viner, Meet me at the Corner, London
Analix Forever, Pale Ramone, curated by Matt Saunders, Geneva |
2004 | Paula Cooper Gallery, Last one on is a soft Jimmy, New York
Kunstverein in Hamburg, Formalismus. moderne kunst, heute, Hamburg
Modern Art Oxford, Real World: The Dissolving Space of Experience, curated by Suzanne Cotter, Oxford
Whitney Museum of American Art, Whitney Biennial, New York
Karvasla, Tuesday is Gone, curated by Daniel Baumann, Tbilisi
Galerie Peter Kilchmann, The Age of Optimism, curated by Fabrice Stroun, Zurich
Forde espace d’art contemporain, Circa Circe, curated by Julien Fronsacq, Geneva
apexart, Summer program, curated by Cay-Sophie Rabinowitz, New York
Frederieke Taylor Gallery, Unplugged Architecture, curated by Max Henry, New York
The Project, Notes on Renewed Appropriationisms, curated by Lauri Firstenberg, Los Angeles |
2003 | Secession, Junge Szene (Form, Kontext, Troja), curated by Daniel Baumann, Vienna
Circuit, Le Rayon Noir, curated by Fabrice Stroun and Mai-Thu Perret, Lausanne
Greene Naftali, In the Public Domain, New York
Year, All that was not then, New York
D’Amelio Terras, Corporate Profits vs. Labor Costs, New York
High Desert Test Sites #2, Joshua Tree
John Connelly Presents, Snowblind, with Mungo Thomson and Matthew Brannon, New York
Free 103.9, 88.7 89.3 103.9, with Kelley Walker and Seth Price, New York
Gavin Brown’s enterprise, Welcome Home, New York
Socrates Sculpture Park, Emerging Artist Fellowship Exhibition, Long Island City |
2002 | P.S.1-MOMA, Building Structures, Long Island City
Brewster Project, curated by Mari Spirito, Brewster
Hunter College Time Square Gallery, Second Sight: Hunter College MFA Alumni Exhibition 1991–2001, New York
PHIL, Lucky DeBellevue, Wade Guyton, Richard Hawkins, Jeff Ono, Los Angeles
Lombard-Freid Gallery, Retrofit, curated by Lauri Firstenberg, New York |
2001 | Gorney, Bravin+ Lee, David Brody, Mark Grotjahn, Wade Guyton, Siobahn Liddell, New York
Kerstin Engholm Galerie, The Love of Look, curated by Kirsty Bell, Vienna
Whitebox, After the Diagram, curated by Lauri Firstenberg and Douglas Cooper, New York
The Fifth International, Group Show, curated by Michele Maccarone and Chivas Clem, New York |
2000 | Delfina, New York Projects, London
Gavin Brown’s enterprise, 21st Century Group Show… or it's only just begun, New York
Bellwether, Kosmobiologie, curated by Nancy Chaikin, Brooklyn |
1999 | Andrew Kreps Gallery, Answer Yes, No, or Don’t Know – Quadrants, curated Ricci Albenda, New York
Espace Forde, A Radiant Future, with Lothar Hempel, Simon Periton, Daniel Roth, Richard Wright, Geneva |
1998 | 289 Hudson, Sacrifizzio dell’ intelletto 5.0, with Omer Fast, Andrew Mount, James Dawson-Hollis, New York |
1997 | Cambio, curated by Kenny Schachter, New York |
