2022 | MAMCO, &, curated by John Armleder, Geneva
Kristina Kite Gallery, The Going Away Present, Los Angeles |
2021 | Frac des Pays de la Loire, To you two, Carquefou |
2020 | Kanal Centre Pompidou, It Never Ends, curated by John Armleder, Brussels |
2019 | MAMCO, Ecart at Art Basel, Geneva
Daimler Art Collection, From Southern German Modernity to International Contemporary Art, Stuttgart
Daimler Contemporary, Sound on the 4th Floor, Berlin
Fondation CAB, Alentour, curated by John Armleder, Brussels |
2018 | Galerie Andrea Caratsch, Monochrome, St. Moritz |
2017 | Musée d'Art Moderne Grand-Duc Jean, FLATLAND / Abstractions narratives #2, Luxemburg |
2016 | MAMCO, GVA<->JFK, Geneva Triple V, Inauguration, Paris |
2015 | Algus Greenspon, The Shadow is Taken, New York
FRAC des Pays de la Loire, Ouverture pour inventaire (2), Carquefou
Triple V, Space is the Place, Paris
White Columns, 30/130: Thirty Years of Books and Catalogues, etc. Bob Nick at White Columns, New York
Galerie Francesca Pia, Group Show, Zurich
David Kordansky Gallery, John Armleder, Stéphane Kropf, John Tremblay, with guests Mai-Thu Perret and Blair Thurman, Los Angeles |
2014 | Joe Sheftel, Vertigo, New York
Middlemarch, Episode 11 EN-TRÉE, curated by Christopher Greene, Brussels
Pori Art Museum, Dystotal, Finland
Galerie Perrotin, Post-Op, curated by Matthieu Poirier, Paris
Marlborough Broome St., Joyride, New York
Non-Objective Sud, Blossoms Take no Prisoners, Tullete
Aargauer Kunsthaus, Ohne Achtsamkeit beachte ich alles, Robert Walser und die bildende Kunst, Aarau |
2013 | FORDE, Post Mortem, Geneva
Steven Vail Fine Arts, Vicious Circles, Des Moines
Martos Gallery, LAT. 41° 7'N. LONG. 72° 19'W., organized by Bob Nickas, New York
Tripple V, Too Big to Fail, Paris
Galerie Francesca Pia, X-Mas show, Zurich
Grand Palais, Dynamo, Paris
Galeries nationales du Grand Palais, Lumineux! Dynamique! Espace et vision dans l’art de nos jours à 1913, Paris
Palais des Beaux-Arts, COOKBOOK, art and the culinary process, Paris |
2012 | Galerie Triple V, Science Fiction 3, Paris
FORDE, cooking show, Geneva
La Salle de Bains, Tell the Children/ Abstraction pour enfants, Lyon
Collezione Maramotti, Painting as a Radical Form, Reggio Emilia"
Kunsthalle Bern, the Old, the New, the Different, Bern |
2011 | Palais de Tokyo, Carte blanche à John M Armleder - All of the above, Paris |
2010 | Centre d’art contemporain d’Ivry, Le carillon de Big Ben, Ivry
Jose Martos Gallery, Wait for Me at the Bottom of the Pool, organized by Bob Nickas, Sagaponack, New York
MUMOK – Daimler Art Collection, Pictures about Pictures: Discourses in Painting from Albers to Zobernig, Wien
Musée des beaux-arts de La Chaux-de-Fonds/ Le Magasin,Portrait de l’artiste en motocycliste, from the Collection of Olivier Mosset, Grenoble
Kunstforum Ostdeutsche Galerie Regensburg, Permanent Trouble, Regensburg |
2009 | Palais de Tokyo, Chasing Napoleon, Paris
Gresham’s Ghost, Cave Painting, New York
Gering & Lopez Gallery, Just what is it that makes today’s painting so different, so appealing?, New York
Centre National d’Art Contemporain de Grenoble, Portrait de l’artiste en motocycliste, Grenoble
Kunsthalle St. Gallen, Born to Be Wild – Hommage to Steven Parrino, St. Gallen
Art Production Fund, Learn to Communicate Like a Fucking Normal Person, New York
Palais de Tokyo, Chasing Napoleon, Paris
Galerie Francesca Pia, Top 10 Allegories, curated by Hard Hat, Zurich
Villa Arson, HALF SQUARE, HALF CRAZY / A DEMI CARRE, A DEMI FOU, Nice
Vegas Gallery/ Forde, I Am By Birth A Genevese, London/ Geneva
Collezione Maramotti, Transitions: Painting at the (other) end of art, Reggio Emilia
P.S.1 Contemporary Art Center, Painted World, organized by Bob Nickas, New York |
2008 | New Jerseyy, The Line is a Lonely Hunter: Drawings in New Jersey, Basel
Galerie Jan Wentrop, REINVENTED: Study and Play, Berlin
Laure Genillard, Presque Rien II, London
Seiler + Mosseri-Marlio Galerie, You Said He Said She Said, Zürich
Praz-Delavallade, Deformalismes, Paris |
2007 | New York Is Dead Dot Biz, Wu-Tang/googolplex Show (Congress), curated by Darren Bader, New York
Texas Gallery, Lines, Houston
Musée d’Art Contemporain de Lyon, The Freak Show, curated by Vincent Pécoil, Lyon
Pury & Luxembourg, Painting as Fact – Fact as Fiction, organized by Bob Nickas, Zürich
The Mandrake, The Melvins, organized by Bob Nickas, Los Angeles
Palais de Tokyo/ IAP Art, Compulsive, Paris/ Miami
Centre national d’art contemporain – Villa Arson, Half Square, Half Crazy – A moitié carré, à moitié fou, Nice |
2006 | Kunsthaus Baselland and Centre d’art d’Ivry le Credac, I go out walking…, Muttenz/Ivry sur Seine
Krobath Wimmer, Black/White & Chewing Gum, Wien
Salander-O’Reilly Galleries, Mid-Life Crisis, New York
FRAC Poitou-Charantes, Rouler les mécaniques, Angouleme
Grolier Club, Hot Off the Press: New Prints of 2006, New York
Midway Contemporary Art, Axis of Praxis, Minneapolis
P.S.1 Contemporary Art Center, The Painted World, New York
Galerie Erna Hécey, Onestar stop, Brussels
Galerie Edward Mitterand, Slow Burn, curated by Jonah Freeman, Geneva
Paula Cooper Gallery, An Ongoing Low-Grade Mystery, organized by Bob Nickas, New York
Galerie van Gelder, Regarding facts, Amsterdam |
2005 | Galerie van Gelder, Wintery Cold, Amsterdam
P.S.1 Center for Contemporary Art, The Painted World, organized by Bob Nickas, New York
Performa Radio – WKCR Columbia University, Performa ’05, organized by Anthony Huberman Broadcast, New York
Biennale d’art contemporain de Lyon, Experiencing Duration, curated by Nicolas Bourriard and Jerome Sans, Lyon
Albright-Knox Gallery, Extreme Abstraction, Buffalo, New York
Musée d’Art Moderne et Contemporain de Strasbourg, L’oeil Moteur, Art Optique et Cinetique/1950–1975, Strasbourg
Champion Fine Art, The Feraliminal Lycanthropizer, curated by Craig Kalpakjian, Los Angeles
Galerie Les Filles du Calvaire, Minimal Pop, organized by Petra Bungert, Paris
Galerie Les Filles du Calvaire, Life On The Screen, organized by Vincent Pécoil, Brussels |
2004 | Le Crédac: Centre d'Art d'Ivry, La partie continue2, Ivry sur Seine
Swiss Institute, None of the above, curated by John Armleder, New York
F.R.AC. Franche-Comté/ Musée des Beaux-Arts de Dole, La Lettre Volée, Dole
DaimlerChrysler Contemporary, Minimalism and After III, Berlin
P.S.1 Contemporary Art Center, Curious Crystals of Unusual Purity, organized by Steve Lafreniere and Bob Nickas, Long Island City |
2003 | Team Gallery, My People Were Fair and Had Cum in their Hair (but Now They’re Content to Spray Stars from your Boughs), curated by Bob Nickas, New York
Anton Kern Gallery, Melvins, organized by Bob Nickas, New York
Riva Gallery, Specificity, curated by Odili Donald Odita, New York
Galeria Javier Lopez, JRP EDITIONS, Madrid
Flieshmann's in association with Gavin Brown's Enterprise, Surrealestate, curated by Rob Pruitt and Jonathan Horowitz, New York
Chateau des Ducs de Bretagne, Les 20 ans des FRAC, Nantes
Gallery M, 3-2-1, with John Miller and Richard Hoecke, curated by Cara Perlman, New York
Kunsthalle Palazzo Liestal, Never Mind Your Step, curated by John Armleder, Liestal/Basel
Galeries contemporaines des musees de Marseille, Mouvments de Fonds, Marseilles |
2002 | Artists Space, Painting as Paradox, New York
John Connelly Presents, Machine Man, New York
Galerie Heimer und Partner, Available Surfaces, Berlin
Gallery Van Gelder, Spot the Difference, Amsterdam
Gallerie Simone Stern, Optical Optimism, curated by Sandra Gering, New Orleans
Paula Cooper Gallery, From the Observatory, organized by Bob Nickas, New York
Yerba Buenna Art Center, Guide to Trust 2, curated by Jimi Dams, San Francisco |
2001 | Tirana Biennale 1, Tirana
Grazer Kunstverein, Time Wave Zero/The Politics of Ecstasy, curated by Lionel Bovier and Jean-Michel Wicker, Graz
Dee-Glassoe, Boxy, selection by Carl Ostendarp, New York
L’Elac, The Unlimited Dream Company, curated by Fabrice Stroun, Lausanne
Sandra Gering Gallery, Perfect 10: ten years in Soho, New York
Elizabeth Cherry Contemporary Art, How is Everything? Everything’s Going To Be ..Alright, organised by Bob Nickas, Tucson
Genovese Gallery, Persistent Painting, Boston |
2000 | Galerie Patrick Seguin, Paris
Forde, Sex in the Country, curated by Mai-Thu Perret and Fabrice Stroun, Geneva
The Gallery Greene Street, Imported: Recent Acquisitions from the Collection of Kenneth Freed, curated by James Hull, Boston
Momenta, Momenta Benefit Auction, Brooklyn
Gary Tatintsian Gallery, (212), organized by Irena Popiashvili, New York
Team Gallery, Hex Enduction Hour by The Fall, curated by Bob Nickas, New York |
1999 | Galerie Yvon Lambert, Camouflage, curated by Toasting Agency, Alexis Vaillant and Eva Svennung), Paris
FRAC Poitou-Charentes, <TransOsphères>, curated by Philippe Régnier, Angoulême
Richard Telles Fine Art, Minty, curated by Bruce Hainley, Los Angeles
Galerie van Gelder, Look me in the eyes, Amsterdam |
1997 | L’Elac, Oops, curated by Lionel Bovier, Lausanne
Stalke Galleri, Painting, Copenhagen
Magasin, Oops, curated by Lionel Bovier, Grenoble
Thomas Healy Gallery, Bathroom, curated by Wayne Koestenbaum, New York |
1996 | Magasin, Des Histoires en Formes, Grenoble
Zentrum für Kunst, Medien und Design, 504, curated by John Armleder, Braunschweig
Margarete Roeder Gallery, Issues of Abstraction, New York |
1995 | The Neuberger Museum, Alumni, New York
Feature Gallery, AbFab!, New York
Sandra Gering Gallery, Drawings, New York
Cabinet des estampes, Notes on Print: With and After Robert Morris, Geneva
Neue Galerie am Landesmuseum Joanneum/ Muesarnok, Pittura/Immedia, Graz/ Budapest |
1994 | Andrea Rosen Gallery, The Fall Collection, assembled by Bob Nickas and John Tremblay, New York, traveled to Thomas Salomon’s Garage, Los Angeles |
1993 | John Gibson Gallery, Nineties, New York
Galerie Susanna Kulli, Ecart, curated by John Armleder, St. Gallen |
1992 | Water Closet, at Novecento, curated by Eric Oppenheim, New York |
